April 9, 2021
Elizabeth Lepock ~ soprano
Michael Lepock ~ baritone
Anna Ronai ~ piano
To Tell a Love Story
Selections from Wolf's Italienisches Liederbuch
Auch kleine Dinge
Wie lange schon war immer mein Verlangen
Elizabeth
Schon streckt' ich aus im Bett die müden Glieder
Der Mond hat eine schwere Klag erhoben
Was für ein Lied soll dir gesungen werden
Michael
Schweig' einmal still
Mein Liebster ist so klein
Elizabeth
Hoffärtig seid Ihr, schönes Kind
Michael
Du denkst mit einem Fädchen mich zu fangen
Mein Liebster singt am Haus
Man sagt mir, deine Mutter woll' es nicht
Elizabeth
Ein Ständchen Euch zu bringen
Heb' auf dein blondes Haupt
Und willst due deinen Liebsten sterben sehen
Sterb ich so hüllt in Blumen meine Glieder
Michael
Wenn du, mein Liebster, steigst zum himmel auf
Ich hab' in Penna einen Liebsten wohnen
Elizabeth
Sonata No. 13 in B flat major for piano K. 333 – Wolfgang Amadeus Mozart (1756 - 1791)
Allegro
Cantabile
Program Notes
Hugo Wolf's Italienisches Liederbuch (Italian Songbook) composed between 1890 and 1896 is an album of 46 songs set to Italian poems translated into German by Paul Heyse. In each song, Wolf created a unique voice-piano miniature, capturing moments in time that explore the relationship of two lovers.
Husband and wife duo Elizabeth and Michael Lepock depict these songs in alternating soprano and baritone voices. While they originally wanted to present the entire Italienisches Liederbuch in a live performance, pandemic restrictions challenged them to adapt to the virtual medium and choose selected highlights of this delightful vocal love-story.
In this program you'll hear a young woman sing about finding her ideal beau, a young musician attracted to her singing, the emotional back-and-forth as they test on another's sincerity, obstacles that challenge true love, expressions of eternal commitment, and of course rapturous idealizations of the beloved's appearance. Of course true love does not always run smoothly and Wolf included songs about that reality too. Classical music is full of "catalogue arias" sung by men listing their conquests, so as a finale Elizabeth reverses the situation by presenting one written for a woman.