April 9, 2021

    Elizabeth Lepock ~ soprano
    Michael Lepock ~ baritone
    mike and liz smaller

    Anna Ronai ~ piano
    anna


    To Tell a Love Story
    Selections from Wolf's Italienisches Liederbuch

    Italienisches Liederbuch  (Italian Songbook) Hugo Wolf (1860 - 1903)

    Auch kleine Dinge
    Wie lange schon war immer mein Verlangen
    Elizabeth

    Schon streckt' ich aus im Bett die müden Glieder
    Der Mond hat eine schwere Klag erhoben
    Was für ein Lied soll dir gesungen werden
    Michael

    Schweig' einmal still
    Mein Liebster ist so klein
    Elizabeth

    Hoffärtig seid Ihr, schönes Kind
    Michael

    Du denkst mit einem Fädchen mich zu fangen
    Mein Liebster singt am Haus
    Man sagt mir, deine Mutter woll' es nicht
    Elizabeth

    Ein Ständchen Euch zu bringen
      Heb' auf dein blondes Haupt
    Und willst due deinen Liebsten sterben sehen
    Sterb ich so hüllt in Blumen meine Glieder
    Michael

    Wenn du, mein Liebster, steigst zum himmel auf
    Ich hab' in Penna einen Liebsten wohnen
    Elizabeth

    Sonata No. 13 in B flat major for piano K. 333  –  Wolfgang Amadeus Mozart (1756 - 1791)
    Allegro
    Cantabile


    Program Notes

    Hugo Wolf's Italienisches Liederbuch (Italian Songbook) composed between 1890 and 1896 is an album of 46 songs set to Italian poems translated into German by Paul Heyse. In each song, Wolf created a unique voice-piano miniature, capturing moments in time that explore the relationship of two lovers.

    Husband and wife duo Elizabeth and Michael Lepock depict these songs in alternating soprano and baritone voices. While they originally wanted to present the entire Italienisches Liederbuch in a live performance, pandemic restrictions challenged them to adapt to the virtual medium and choose selected highlights of this delightful vocal love-story.

    In this program you'll hear a young woman sing about finding her ideal beau, a young musician attracted to her singing, the emotional back-and-forth as they test on another's sincerity, obstacles that challenge true love, expressions of eternal commitment, and of course rapturous idealizations of the beloved's appearance. Of course true love does not always run smoothly and Wolf included songs about that reality too. Classical music is full of "catalogue arias" sung by men listing their conquests, so as a finale Elizabeth reverses the situation by presenting one written for a woman.